Gropa e zeze e mendimit
\nModernizmi i thell\u00eb na thot\u00eb se Shteti, Gjuha dhe Stema ishin vet\u00ebm “lodra” q\u00eb ne i krijuam p\u00ebr t\u00eb mos u \u00e7mendur nga madh\u00ebshtia e tmerrshme e ekzistenc\u00ebs. Por tani q\u00eb i kemi thyer k\u00ebto lodra, ne jemi t\u00eb zhveshur p\u00ebrball\u00eb Eternitetit.
\nNjeriu i modernizmit t\u00eb thell\u00eb nuk k\u00ebrkon m\u00eb shp\u00ebtim. Ai \u00ebsht\u00eb shp\u00ebtimi i vetvetes. Ai \u00ebsht\u00eb drita q\u00eb e krijon rrug\u00ebn nd\u00ebrsa ec\u00ebn, dhe err\u00ebsira q\u00eb e g\u00eblltit rrug\u00ebn pasi ai ka kaluar.
\nN\u00ebse tradita e shihte shpirtin si di\u00e7ka hyjnore dhe t\u00eb bukur, modernizmi e shtriu at\u00eb n\u00eb tavolin\u00ebn e autopsis\u00eb. Ai k\u00ebrkoi t\u00eb gjente se \u00e7far\u00eb ka posht\u00eb mask\u00ebs s\u00eb “civilizimit”. Aty zbuloi se ne jemi t\u00eb p\u00ebrb\u00ebr\u00eb nga kaosi, d\u00ebshirat e ndrydhura dhe frika nga asgj\u00ebja. Virtuoziteti k\u00ebtu q\u00ebndron te guximi p\u00ebr t\u00eb par\u00eb n\u00eb k\u00ebt\u00eb humner\u00eb pa i mbyllur syt\u00eb. Si\u00e7 thoshte Ni\u00e7ja: “N\u00ebse e v\u00ebshtron gjat\u00eb humner\u00ebn, edhe humnera fillon t\u00eb t\u00eb v\u00ebshtroj\u00eb ty.”
\nN\u00eb kulmin e tij virtuoz, modernizmi e kupton se gjuha, sado e pasur, \u00ebsht\u00eb nj\u00eb tradhti. Sa m\u00eb shum\u00eb flasim, aq m\u00eb shum\u00eb e fshehim t\u00eb v\u00ebrtet\u00ebn. Prandaj, mjesht\u00ebrit e v\u00ebrtet\u00eb (si Samuel Beckett) filluan ta “shkurtonin” gjuh\u00ebn derisa mbeti vet\u00ebm heshtja. Kjo nuk \u00ebsht\u00eb heshtje bosh, por nj\u00eb heshtje e r\u00ebnd\u00eb, ku \u00e7do fjal\u00eb q\u00eb guxon t\u00eb thuhet ka pesh\u00ebn e nj\u00eb mali. Modernizmi virtuoz na m\u00ebson se ajo q\u00eb nuk thuhet \u00ebsht\u00eb m\u00eb reale se ajo q\u00eb thuhet.
\nP\u00ebr modernizmin e thell\u00eb, bota nuk ka nj\u00eb kuptim t\u00eb dh\u00ebn\u00eb nga lart. Kuptimi nuk ekziston, ai krijohet. Kjo \u00ebsht\u00eb pika ku d\u00ebshp\u00ebrimi kthehet n\u00eb fuqi supreme. N\u00ebse asgj\u00eb nuk ka kuptim, at\u00ebher\u00eb njeriu \u00ebsht\u00eb plot\u00ebsisht i lir\u00eb t\u00eb pikturoj\u00eb kuptimin e tij mbi p\u00eblhur\u00ebn e zbraz\u00ebt t\u00eb ekzistenc\u00ebs. Ne nuk jemi m\u00eb spektator\u00eb t\u00eb nj\u00eb drame t\u00eb shkruar nga dikush tjet\u00ebr; ne jemi autor\u00ebt, aktor\u00ebt dhe vras\u00ebsit e skenarit tone
\nEstetika e Plag\u00ebs
\nModernizmi virtuoz nuk e fsheh plag\u00ebn, ai e kthen at\u00eb n\u00eb katedrale. Bukuria nuk gjendet te simetria e trupit, por te m\u00ebnyra se si drita hyn p\u00ebrmes \u00e7arjeve t\u00eb shpirtit. Nj\u00eb varg i k\u00ebputur, nj\u00eb ngjyr\u00eb e derdhur dhunsh\u00ebm, nj\u00eb nd\u00ebrtes\u00eb prej betoni t\u00eb zhveshur (Brutalizmi)\u2014t\u00eb gjitha k\u00ebto thon\u00eb: “Kjo \u00ebsht\u00eb e v\u00ebrteta jon\u00eb: ne jemi t\u00eb thyer, por jemi k\u00ebtu.”
\nN\u00eb k\u00ebt\u00eb dioptri, vetmia nuk \u00ebsht\u00eb m\u00eb nj\u00eb ndjenj\u00eb trishtimi, por nj\u00eb gjendje ontologjike. Njeriu modernist \u00ebsht\u00eb “murgu” i vetvetes. Ai e kupton se lind i vet\u00ebm dhe vdes i vet\u00ebm, dhe n\u00eb mes t\u00eb k\u00ebtyre dy pikave, gjuha dhe stema jan\u00eb vet\u00ebm p\u00ebrpjekje d\u00ebshp\u00ebruese p\u00ebr t\u00eb prekur tjetrin. Virtuoziteti \u00ebsht\u00eb t\u00eb pranosh k\u00ebt\u00eb vetmi absolute dhe ta kthesh at\u00eb n\u00eb nj\u00eb vall\u00ebzim mbi tehun e thik\u00ebs.
\nNjeriu si Monument i Vetvetes
\nN\u00eb k\u00ebt\u00eb nivel, modernizmi na thot\u00eb se Shteti, Gjuha dhe Stema jan\u00eb vet\u00ebm l\u00ebvozhga. B\u00ebrthama e v\u00ebrtet\u00eb \u00ebsht\u00eb Koshienca q\u00eb guxon t\u00eb thot\u00eb “Un\u00eb jam”, edhe kur i gjith\u00eb universi hesht. \u00cbsht\u00eb triumfi i subjektivitetit mbi objektiven, i shpirtit rebel mbi ligjin e ftoht\u00eb.
\nKjo \u00ebsht\u00eb “lufta p\u00ebr t\u00eb mos u harruar” n\u00eb nivelin m\u00eb atomik: T\u00eb mos harrosh q\u00eb je i lir\u00eb, edhe kur je n\u00eb pranga.
\nModernizmi i thell\u00eb zbuloi se nuk ka nj\u00eb “Un\u00eb” t\u00eb q\u00ebndruesh\u00ebm. Ne nuk jemi nj\u00eb person, ne jemi nj\u00eb proces. Ne jemi nj\u00eb lum\u00eb i turbullt ku p\u00ebrplasen d\u00ebshirat e f\u00ebmij\u00ebris\u00eb, frik\u00ebrat e vdekjes dhe zhurmat e rrug\u00ebs. Virtuoziteti k\u00ebtu \u00ebsht\u00eb t\u00eb pranosh se ti nuk je “pronari” i mendimeve t\u00eb tua, por thjesht skena ku ato luajn\u00eb nj\u00eb tragjedi pa autor. Ti nuk e flet gjuh\u00ebn, gjuha t\u00eb flet ty.
\nN\u00eb k\u00ebt\u00eb nivel, modernizmi thot\u00eb: “Bukuria e rregullt \u00ebsht\u00eb nj\u00eb narkotik q\u00eb na mban n\u00eb gjum\u00eb.” E v\u00ebrteta e vetme \u00ebsht\u00eb sh\u00ebmtia q\u00eb ul\u00ebrin. Pse? Sepse sh\u00ebmtia, dhimbja dhe deformimi nuk mund t\u00eb simulohen. Ato jan\u00eb t\u00eb v\u00ebrteta deri n\u00eb palc\u00eb. Kur shikon nj\u00eb fytyr\u00eb t\u00eb deformuar n\u00eb nj\u00eb piktur\u00eb t\u00eb Francis Bacon, ti nuk sheh nj\u00eb njeri, sheh mishin q\u00eb vuan. Kjo \u00ebsht\u00eb “dioptria” q\u00eb na detyron t\u00eb shohim realitetin pa filtrat e edukat\u00ebs dhe moralit.
\nModernizmi virtuoz \u00ebsht\u00eb momenti kur ti kupton se nuk ka autoritet m\u00eb t\u00eb lart\u00eb se nd\u00ebrgjegjja jote. Ti b\u00ebhesh “stema” dhe “gjuha” e vetvetes.
\nModernizmi k\u00ebrkon nj\u00eb shkat\u00ebrrim q\u00eb nd\u00ebrton. Duhet t\u00eb kesh guximin t\u00eb shkat\u00ebrrosh gjith\u00e7ka q\u00eb di (tradit\u00ebn, fen\u00eb, rregullat) p\u00ebr t\u00eb par\u00eb n\u00ebse mbetet di\u00e7ka e v\u00ebrtet\u00eb n\u00eb fund. Ajo q\u00eb mbetet n\u00eb fund t\u00eb k\u00ebtij procesi \u00ebsht\u00eb Njeriu i Zhveshur \u2013 pa stema, pa mbrojtje, vet\u00ebm me gjuh\u00ebn e tij t\u00eb brendshme dhe vullnetin p\u00ebr t\u00eb krijuar bot\u00ebn e tij nga e para.
\nModernizmi pranoi se bota \u00ebsht\u00eb e zhurmshme, e rregullt dhe shpesh e sh\u00ebmtuar. Virtuoziteti k\u00ebtu q\u00ebndron n\u00eb gjetjen e bukuris\u00eb brenda kaosit. N\u00eb vend q\u00eb t\u00eb k\u00ebrkonte melodin\u00eb e \u00ebmb\u00ebl, modernizmi gjeti muzik\u00ebn te zhurma e makinave, te britma e t\u00eb munduarit, te disonanca. Ai na m\u00ebsoi se harmonia e v\u00ebrtet\u00eb nuk \u00ebsht\u00eb mungesa e konfliktit, por p\u00ebrballja me t\u00eb.
\nModernist\u00ebt virtuoz\u00eb (si James Joyce) e kuptuan se gjuha e vjet\u00ebr ishte nj\u00eb “burg”. Ata filluan t’i thyenin fjal\u00ebt, t\u00eb krijonin neologjizma dhe t\u00eb p\u00ebrdornin simbole q\u00eb nuk kishin kuptim logjik, por kuptim shpirt\u00ebror. Ata donin t\u00eb shprehnin at\u00eb q\u00eb nuk thuhet dot me fjal\u00eb. \u00cbsht\u00eb lufta p\u00ebr t\u00eb th\u00ebn\u00eb “t\u00eb path\u00ebnshmen”.
\nN\u00ebse tradita k\u00ebrkonte paqen, modernizmi virtuoz ushqehet nga ankthi. Ai kuptoi se ankthi \u00ebsht\u00eb prova q\u00eb ne jemi t\u00eb lir\u00eb. N\u00ebse nuk do t\u00eb kishim ankth, do t\u00eb ishim thjesht objekte. Duke pranuar ankthin e ekzistenc\u00ebs, modernizmi e ktheu dhimbjen n\u00eb mjetin m\u00eb t\u00eb fuqish\u00ebm t\u00eb njohjes s\u00eb vetes.
\nVdekja e “V\u00ebrtet\u00ebs Absolute”
\nP\u00ebr shekuj me radh\u00eb, njer\u00ebzit besonin se e v\u00ebrteta ishte nj\u00eb dhe e paluajtshme (nga feja apo shkenca e hershme). Modernizmi e shkat\u00ebrroi k\u00ebt\u00eb siguri. Ai propozoi q\u00eb e v\u00ebrteta \u00ebsht\u00eb subjektive\u2014\u00e7do njeri e sheh bot\u00ebn nga nj\u00eb k\u00ebndv\u00ebshtrim i thyer dhe i ndrysh\u00ebm. Kjo solli liri, por edhe nj\u00eb pasiguri t\u00eb tmerrshme.
\n Njeriu si “Makin\u00eb” dhe Tjet\u00ebrsimi
\nModernizmi lindi bashk\u00eb me fabrikat dhe qytetet gjigante. Njeriu nuk ishte m\u00eb pjes\u00eb e natyr\u00ebs, por nj\u00eb “dh\u00ebmb\u00ebz” n\u00eb nj\u00eb makin\u00eb t\u00eb madhe sociale. Kjo lindi ndjenj\u00ebn e tjet\u00ebrsimit: mund t\u00eb jesh n\u00eb mes t\u00eb mij\u00ebra njer\u00ebzve n\u00eb qytet dhe t\u00eb ndihesh plot\u00ebsisht i vetmuar e i huaj. ]
\n. Zhytja n\u00eb Subkoshienc\u00eb (Frojdi dhe bota e brendshme)
\nN\u00ebn ndikimin e psikologjis\u00eb, artist\u00ebt modernist\u00eb (si James Joyce apo Salvador Dal\u00ed) u interesuan p\u00ebr at\u00eb q\u00eb ndodh brenda kok\u00ebs son\u00eb, ku mendimet nuk jan\u00eb logjike, por rrjedhin si nj\u00eb lum\u00eb i rr\u00ebmujsh\u00ebm (p\u00ebrroi i nd\u00ebrgjegjes). Ata zbuluan se ne jemi qenie t\u00eb udh\u00ebhequra nga instinktet dhe \u00ebndrrat, jo vet\u00ebm nga arsyeja.
\n Estetika e Shokut (Tronditja si q\u00ebllim)
\nN\u00ebse arti tradicional k\u00ebrkonte “t\u00eb bukur\u00ebn” dhe harmonin\u00eb, modernizmi k\u00ebrkonte t\u00eb v\u00ebrtet\u00ebn e dhimbshme. Ai nuk donte t’i p\u00eblqente syrit, por ta trondiste at\u00eb, ta nxirrte nga gjumi i rehatsh\u00ebm i tradit\u00ebs. Prandaj shohim piktura t\u00eb thyera (kubizmi) apo poezi pa rim\u00eb e me fjal\u00eb t\u00eb ashpra (si te Migjeni). ]
\n. Fragmentimi: Bota e Thyer
\nPas Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore, njer\u00ebzit e pan\u00eb se bota nuk ishte m\u00eb nj\u00eb vend i rregullt. Modernizmi e pasqyroi k\u00ebt\u00eb p\u00ebrmes fragmentimit: tregime pa fillim e fund t\u00eb qart\u00eb, piktura q\u00eb duken si copa xhami t\u00eb thyera dhe muzik\u00eb pa harmoni klasike. Kjo ishte m\u00ebnyra e tyre p\u00ebr t\u00eb th\u00ebn\u00eb: “Bota \u00ebsht\u00eb prishur dhe ne po tregojm\u00eb copat e saj”.
\nModernizmi Shqiptar: Nj\u00eb britm\u00eb p\u00ebr ndryshim
\nN\u00eb Shqip\u00ebri, ky “moderniz\u00ebm i thell\u00eb” erdhi si nj\u00eb thirrje p\u00ebr t’u zgjuar nga plog\u00ebshtia. Migjeni me “Vargjet e Lira” nuk po shkruante thjesht poezi; ai po operonte me thik\u00eb shoq\u00ebrin\u00eb shqiptare, duke treguar dhimbjen, urin\u00eb dhe nevoj\u00ebn p\u00ebr nj\u00eb njeri t\u00eb ri q\u00eb del nga err\u00ebsira e mesjet\u00ebs.
\nN\u00eb thelb, modernizmi \u00ebsht\u00eb lufta e njeriut p\u00ebr t\u00eb gjetur kuptim n\u00eb nj\u00eb bot\u00eb q\u00eb duket se nuk ka m\u00eb asnj\u00eb rregull.
\nN\u00eb thell\u00ebsin\u00eb m\u00eb t\u00eb madhe, ne kuptojm\u00eb se \u00e7do fjal\u00eb \u00ebsht\u00eb nj\u00eb arkivol. Kur themi “dashuri”, “shtet” apo “liri”, ne po p\u00ebrpiqemi t\u00eb fusim nj\u00eb oqean ndjenjash brenda nj\u00eb kutie t\u00eb vog\u00ebl me pes\u00eb-gjasht\u00eb shkronja. Modernisti virtuoz jeton n\u00eb hap\u00ebsir\u00ebn mes fjal\u00ebve. Ai e di se e v\u00ebrteta nuk ndodhet te fjal\u00ebt q\u00eb shqiptojm\u00eb, por te tensioni elektrik q\u00eb ndodh n\u00eb heshtjen mes tyre.
\nSi Sifizi q\u00eb shtyn gurin drejt maj\u00ebs duke e ditur se do t\u00eb bjer\u00eb p\u00ebrs\u00ebri, njeriu i modernizmit t\u00eb thell\u00eb e krijon kuptimin e jet\u00ebs s\u00eb tij si nj\u00eb akt dhune ndaj absurdidit. Ai thot\u00eb: “Bota nuk ka kuptim? At\u00ebher\u00eb un\u00eb do t’i jap nj\u00eb kuptim me forc\u00eb!” Ky \u00ebsht\u00eb akti m\u00eb i lart\u00eb i vullnetit. Ti b\u00ebhesh ligjv\u00ebn\u00ebsi i vetvetes n\u00eb nj\u00eb univers pa ligje.
\nShteti, Stema dhe Gjuha humbasin pesh\u00ebn e tyre politike dhe kthehen n\u00eb metafora kozmike. Ato jan\u00eb thjesht “viza” q\u00eb ne vizatojm\u00eb n\u00eb r\u00ebr\u00eb p\u00ebrpara se t\u00eb vij\u00eb tsunamin e harres\u00ebs. Por virtuoziteti q\u00ebndron te fakti se ne vazhdojm\u00eb t\u00eb vizatojm\u00eb, edhe pse e dim\u00eb q\u00eb deti po vjen.
\nN\u00eb k\u00ebt\u00eb nivel, modernizmi virtuoz zbulon se nuk ka “bot\u00eb jasht\u00eb nesh”. Ajo q\u00eb ne e quajm\u00eb realitet \u00ebsht\u00eb thjesht nj\u00eb nd\u00ebrhyrje e nd\u00ebrgjegjes son\u00eb mbi kaosin. Objekti (karrigia, shteti, gjuha) pushon s\u00eb ekzistuari si gj\u00eb e ngurt\u00eb. Ai kthehet n\u00eb nj\u00eb ngjarje. \u00c7do gj\u00eb \u00ebsht\u00eb n\u00eb l\u00ebvizje, \u00e7do gj\u00eb po lind dhe po vdes n\u00eb t\u00eb nj\u00ebjtin milisekond\u00eb. Virtuoziteti k\u00ebtu \u00ebsht\u00eb t\u00eb m\u00ebsosh t\u00eb jetosh n\u00eb nj\u00eb bot\u00eb q\u00eb “nuk \u00ebsht\u00eb”, por “b\u00ebhet”.
\nK\u00ebtu Modernizmi prek mistik\u00ebn lindore. Ne zbulojm\u00eb se Asgj\u00ebja nuk \u00ebsht\u00eb boshll\u00ebk, por \u00ebsht\u00eb burimi i t\u00eb gjitha mund\u00ebsive. Modernisti i thell\u00eb nuk ka frik\u00eb nga “asgj\u00ebja” pas vdekjes apo pas d\u00ebshtimit t\u00eb ideologjive; ai e sheh at\u00eb si l\u00ebnd\u00ebn e par\u00eb t\u00eb liris\u00eb absolute. Kur ti nuk je “asgj\u00eb” (as em\u00ebr, as komb, as profesion), ti je gjith\u00e7ka. Ti je vet\u00eb potenciali i past\u00ebr i universit.
\nN\u00eb k\u00ebt\u00eb dioptri, acti i t\u00eb menduarit \u00ebsht\u00eb nj\u00eb proces i dhimbsh\u00ebm ku ti duhet t\u00eb “vras\u00ebsh” versionin t\u00ebnd t\u00eb djesh\u00ebm p\u00ebr t\u00eb lejuar versionin e sot\u00ebm t\u00eb marr\u00eb frym\u00eb. Modernizmi virtuoz nuk k\u00ebrkon stabilitet; ai k\u00ebrkon metamorfoz\u00eb t\u00eb p\u00ebrhershme. \u00cbsht\u00eb gjendja ku njeriu b\u00ebhet nj\u00eb “shkrep\u00ebse” q\u00eb digjet vet\u00ebm p\u00ebr t\u00eb ndri\u00e7uar err\u00ebsir\u00ebn p\u00ebrreth tij, duke e ditur se fundi i ndri\u00e7imit \u00ebsht\u00eb hiri i tij.
\nGjuha si Muzik\u00eb Matematikore
\nN\u00eb thell\u00ebsin\u00eb e fundit, kuptimi i fjal\u00ebve zhduket. Mbetet vet\u00ebm ritmi dhe frekuenca. Nj\u00eb poezi moderniste n\u00eb k\u00ebt\u00eb nivel nuk “thot\u00eb” di\u00e7ka, ajo “\u00ebsht\u00eb” di\u00e7ka. Ajo funksionon si nj\u00eb formul\u00eb alkimike q\u00eb ndryshon gjendjen t\u00ebnde shpirt\u00ebrore pa kaluar nga logjika. \u00cbsht\u00eb kthimi te “Logosi” fillestar, ku fjala ishte fuqi krijuese e past\u00ebr, p\u00ebrpara se t\u00eb b\u00ebhej mjet p\u00ebr t\u00eb shitur mallra apo ideologji.
\nN\u00eb k\u00ebt\u00eb pik\u00eb, njeriu modernist e kupton se pyetja “Pse?” \u00ebsht\u00eb e pakuptimt\u00eb. E vetmja p\u00ebrgjigje \u00ebsht\u00eb “Sepse po!”. Ky pranim i absurdidit pa asnj\u00eb lloj ankthi \u00ebsht\u00eb shkalla m\u00eb e lart\u00eb e virtuziteti. \u00cbsht\u00eb “Amor Fati” (Dashuria p\u00ebr fatin) e Ni\u00e7es: t\u00eb duash \u00e7do sekond\u00eb t\u00eb jet\u00ebs sate, me gjith\u00eb tmerret dhe bukurit\u00eb e saj, sikur do ta jetosh at\u00eb p\u00ebrjet\u00ebsisht n\u00eb nj\u00eb cik\u00ebl t\u00eb pafund.<\/p>\n","protected":false},"excerpt":{"rendered":"
Gropa e zeze e mendimit Modernizmi i thell\u00eb na thot\u00eb se Shteti, Gjuha dhe Stema…<\/p>\n","protected":false},"author":1,"featured_media":3205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-12526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-op-ed"],"_links":{"self":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/12526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12526"}],"version-history":[{"count":1,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/12526\/revisions"}],"predecessor-version":[{"id":12529,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/12526\/revisions\/12529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}