Petrit \u00c7eku nuk \u00ebsht\u00eb thjesht nj\u00eb ambasador i kultur\u00ebs son\u00eb; ai \u00ebsht\u00eb d\u00ebshmia e gjall\u00eb e asaj se sa lart mund t\u00eb arrij\u00eb shpirti shqiptar kur disiplina maksimale takohet me talentin hyjnor. Kur ai luan, koha ndalon. Nuk ka m\u00eb r\u00ebnd\u00ebsi n\u00ebse jemi n\u00eb Prishtin\u00eb, Zagreb apo Nju Jork. Ajo q\u00eb mbetet \u00ebsht\u00eb vet\u00ebm ai, kitara e tij dhe nj\u00eb melodi q\u00eb shpon tej p\u00ebr tej shpirtin ton\u00eb, duke na kujtuar se arti i v\u00ebrtet\u00eb nuk vdes kurr\u00eb sepse buron nga p\u00ebrjet\u00ebsia.
\nT\u00eb flas\u00ebsh p\u00ebr Petrit \u00c7ekun do t\u00eb thot\u00eb t\u00eb hysh n\u00eb nj\u00eb terren ku p\u00ebrsosm\u00ebria teknike pushon s\u00eb qeni q\u00ebllim dhe b\u00ebhet thjesht nj\u00eb mjet p\u00ebr t\u00eb zbuluar t\u00eb mbinatyrshmen. N\u00eb bot\u00ebn e kitar\u00ebs klasike, ku milimetrat dhe fraksionet e sekond\u00ebs p\u00ebrcaktojn\u00eb kufirin mes suksesit dhe d\u00ebshtimit, \u00c7eku nuk \u00ebsht\u00eb thjesht nj\u00eb virtuoz. Ai \u00ebsht\u00eb nj\u00eb asket i tingullit, nj\u00eb artist q\u00eb ka arritur t\u00eb thyej\u00eb limitet fizike t\u00eb instrumentit p\u00ebr ta kthyer at\u00eb n\u00eb nj\u00eb zgjatim t\u00eb drejtp\u00ebrdrejt\u00eb t\u00eb shpirtit t\u00eb tij.
\nN\u00eb pamje t\u00eb par\u00eb, virtuoziteti i Petrit \u00c7ekut mahnit me sakt\u00ebsin\u00eb e tij kirurgjikale. Gishtat e tij l\u00ebvizin mbi tastier\u00ebn e kitar\u00ebs me nj\u00eb leht\u00ebsi q\u00eb sfidon ligjet e fizik\u00ebs. \u00c7do not\u00eb \u00ebsht\u00eb e past\u00ebr, \u00e7do kalim i shpejt\u00eb \u00ebsht\u00eb i balancuar dhe \u00e7do akord ka nj\u00eb pesh\u00eb t\u00eb llogaritur mir\u00eb. Ai ka arritur at\u00eb q\u00eb n\u00eb art quhet “sprezzatura” \u2013 aft\u00ebsia p\u00ebr t\u00eb kryer veprime ekstremisht t\u00eb v\u00ebshtira duke i b\u00ebr\u00eb ato t\u00eb duken krejt\u00ebsisht t\u00eb natyrshme dhe pa sforcim.
\nPor virtuoziteti i v\u00ebrtet\u00eb i \u00c7ekut nuk q\u00ebndron te shpejt\u00ebsia e gishtave; ai q\u00ebndron te kontrolli i universit t\u00eb tij t\u00eb brendsh\u00ebm. Ai zot\u00ebron nj\u00eb virtuozitet dinamik. Ai mund ta b\u00ebj\u00eb kitar\u00ebn t\u00eb ting\u00eblloj\u00eb e fuqishme si nj\u00eb orkest\u00ebr e t\u00ebr\u00eb simfonike, ose aq e p\u00ebshp\u00ebritur sa t\u00eb t\u00eb detyroj\u00eb t\u00eb mbash frym\u00ebn p\u00ebr t\u00eb d\u00ebgjuar tjet\u00ebrsimin e tingullit. Kjo nuk \u00ebsht\u00eb thjesht teknik\u00eb, kjo \u00ebsht\u00eb menaxhim i heshtjes dhe i tensionit dramatik.
\nKur Petrit \u00c7eku luan veprat e Profesor Rafet Rudit, ndodh nj\u00eb fenomen pothuajse mistik. Nj\u00eb pjes\u00eb e madhe e kitarist\u00ebve modern\u00eb vuajn\u00eb nga kompleksi i “shfaqjes s\u00eb vetes”, ku instrumentisti k\u00ebrkon t\u00eb jet\u00eb m\u00eb i r\u00ebnd\u00ebsish\u00ebm se muzika. \u00c7eku b\u00ebn t\u00eb kund\u00ebrt\u00ebn: ai vet\u00ebmohohet. Ai e zhvesh egon e tij p\u00ebr t’u b\u00ebr\u00eb nj\u00eb medium i past\u00ebr p\u00ebrmes t\u00eb cilit rrjedh ideja e kompozitorit.
\nMidis tij dhe partitur\u00ebs s\u00eb Rudit krijohet nj\u00eb kod sekret. Veprat e Rudit kan\u00eb shpesh nj\u00eb karakter meditativ, gati liturgjik dhe t\u00eb veshur me nj\u00eb melankoli t\u00eb lasht\u00eb shqiptare. \u00c7eku e kupton k\u00ebt\u00eb kod jo me mendje, por me gjenetik\u00eb. Kur ai luan ato pjes\u00eb, ju nuk d\u00ebgjoni thjesht nj\u00eb djal\u00eb q\u00eb luan bukur kitar\u00ebn; ju d\u00ebgjoni nj\u00eb popull t\u00eb t\u00ebr\u00eb q\u00eb rr\u00ebfen historin\u00eb e tij p\u00ebrmes gjasht\u00eb telave. Ai arrin t\u00eb nxjerr\u00eb nga druri i kitar\u00ebs nj\u00eb tingull t\u00eb ngroht\u00eb, t\u00eb thell\u00eb dhe “t\u00eb lag\u00ebsht” me emocion, q\u00eb rrall\u00ebher\u00eb d\u00ebgjohet te instrumentist\u00ebt e tjer\u00eb
\nPas shk\u00eblqimit t\u00eb arenave nd\u00ebrkomb\u00ebtare, nga Vjena n\u00eb Tokio, fshihet vetmia e madhe e virtuozit. Kitarra klasike \u00ebsht\u00eb nj\u00eb instrument i vetmuar, q\u00eb k\u00ebrkon or\u00eb t\u00eb t\u00ebra izolimi dhe p\u00ebrs\u00ebritjeje obsesive. \u00c7eku e ka pranuar k\u00ebt\u00eb sakrific\u00eb. P\u00ebrkushtimi i tij ndaj instrumentit \u00ebsht\u00eb pothuajse fetar.
\nKy p\u00ebrkushtim merr nj\u00eb drit\u00eb t\u00eb re kur kthehet kah kultura e tij amtare. Ky \u00ebsht\u00eb triniteti perfekt: Kompozitori (Rafet Rudi) q\u00eb mbjell far\u00ebn e tingullit, Interpretuesi (Petrit \u00c7eku) q\u00eb e rrit at\u00eb me gjakun e gishtave t\u00eb tij, dhe Arena Nd\u00ebrkomb\u00ebtare q\u00eb korr mrekullin\u00eb. \u00c7eku ka arritur t\u00eb b\u00ebj\u00eb at\u00eb q\u00eb b\u00ebjn\u00eb vet\u00ebm gjenit\u00eb e v\u00ebrtet\u00eb: ai e ka marr\u00eb muzik\u00ebn klasike shqiptare dhe e ka b\u00ebr\u00eb t\u00eb flas\u00eb rrjedhsh\u00ebm gjuh\u00ebn e bot\u00ebs, pa i humbur asnj\u00eb nuanc\u00eb t\u00eb dialektit t\u00eb saj shpirt\u00ebror.<\/p>\n
N\u00eb teatrin e madh t\u00eb kultur\u00ebs globale, ku kombet garojn\u00eb p\u00ebr t\u00eb l\u00ebn\u00eb gjurm\u00ebn e tyre, Shqiptaria po p\u00ebrjeton nj\u00eb epok\u00eb t\u00eb art\u00eb t\u00eb Rilindjes Muzikore. Ky moment historik mish\u00ebrohet m\u00eb s\u00eb miri n\u00eb bashk\u00ebpunimin midis gjenis\u00eb krijuese t\u00eb Profesor Rafet Rudit dhe virtuozitetit t\u00eb pakonkurruesh\u00ebm t\u00eb Petrit \u00c7ekut. Ky takim nuk \u00ebsht\u00eb thjesht nj\u00eb ngjarje kulturore; ai \u00ebsht\u00eb nj\u00eb manifestim ku klasikja dhe modernia shkrihen p\u00ebr t\u00eb krijuar nj\u00eb mrekulli t\u00eb past\u00ebr artistike, duke e vendosur shpirtin shqiptar n\u00eb qend\u00ebr t\u00eb aren\u00ebs nd\u00ebrkomb\u00ebtare.
\nAjo q\u00eb e b\u00ebn k\u00ebt\u00eb bashk\u00ebpunim nj\u00eb mrekulli t\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb aft\u00ebsia p\u00ebr t\u00eb q\u00ebndruar nj\u00ebkoh\u00ebsisht n\u00eb dy koh\u00eb t\u00eb ndryshme. Rafet Rudi, si kompozitor, p\u00ebrdor nj\u00eb gjuh\u00eb q\u00eb \u00ebsht\u00eb thell\u00ebsisht moderne, shpesh avangarde dhe eksperimentale. Megjithat\u00eb, brenda k\u00ebsaj strukture moderne, ai arrin t\u00eb ruaj\u00eb kodin gjenetik t\u00eb muzik\u00ebs son\u00eb klasike, shpirt\u00ebrore dhe tradicionale.
\nNga ana tjet\u00ebr, Petrit \u00c7eku, i formuar n\u00eb shkollat m\u00eb t\u00eb rrepta t\u00eb kitar\u00ebs klasike bot\u00ebrore, sjell disiplin\u00ebn dhe disiplin\u00ebn e rrept\u00eb t\u00eb teknik\u00ebs tradicionale. Por kur ai interpreton Rudin, \u00c7eku shnd\u00ebrrohet n\u00eb nj\u00eb artist modern q\u00eb thyen barrierat e zakonshme t\u00eb instrumentit. Klasikja k\u00ebtu ofron rr\u00ebnj\u00ebt dhe stabilitetin, nd\u00ebrsa modernia ofron krah\u00ebt p\u00ebr t\u00eb fluturuar drejt t\u00eb panjohur\u00ebs.
\nP\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, arti shqiptar ka qen\u00eb i izoluar ose i par\u00eb vet\u00ebm p\u00ebrmes thjerr\u00ebz\u00ebs s\u00eb folklorit lokal. Mrekullia q\u00eb po ndodh sot n\u00eb aren\u00ebn nd\u00ebrkomb\u00ebtare \u00ebsht\u00eb se ky folklor, p\u00ebrmes dor\u00ebs s\u00eb Rudit dhe gishtave t\u00eb \u00c7ekut, \u00ebsht\u00eb pastruar, sublimuar dhe ngritur n\u00eb nivelin e artit universal.
\nKur \u00c7eku luan n\u00eb Vjen\u00eb, Zagreb, Paris apo Nju Jork, audienca nd\u00ebrkomb\u00ebtare nuk d\u00ebgjon thjesht nj\u00eb kitarist t\u00eb shk\u00eblqyer. Ajo d\u00ebgjon psher\u00ebtim\u00ebn e maleve tona, melankolin\u00eb e historis\u00eb dhe ritmin ton\u00eb t\u00eb brendsh\u00ebm, t\u00eb veshur me petkun e nj\u00eb moderniteti t\u00eb holl\u00eb. Ky \u00ebsht\u00eb momenti ku “shqiptarja” pushon s\u00eb qeni thjesht etnike dhe b\u00ebhet nj\u00eb vler\u00eb globale, nj\u00eb mrekulli q\u00eb pranohet dhe admirohet nga mbar\u00eb bota.
\nTriumfi i k\u00ebsaj melodie n\u00eb skenat bot\u00ebrore tregon se kultura jon\u00eb nuk ka m\u00eb nevoj\u00eb t\u00eb ndihet inferiore. Petrit \u00c7eku ka d\u00ebshmuar se nj\u00eb artist nga Kosova mund t\u00eb interpretoj\u00eb Bach-un m\u00eb mir\u00eb se kushdo tjet\u00ebr, por kur ai vendos t\u00eb luaj\u00eb veprat e Profesor Rudit, ai b\u00ebn di\u00e7ka edhe m\u00eb t\u00eb madhe: ai eksporton shpirtin e kombit t\u00eb tij.
\nKjo aren\u00eb nd\u00ebrkomb\u00ebtare \u00ebsht\u00eb d\u00ebshmitare e nj\u00eb dialogu ku e shkuara jon\u00eb e lasht\u00eb (klasikja) dhe e ardhmja jon\u00eb vizionare (modernia) b\u00ebhen nj\u00eb. Ky bashk\u00ebpunim \u00ebsht\u00eb d\u00ebshmia se kur b\u00ebhen bashk\u00eb mendja e ndritur e kompozitorit dhe talenti i rrall\u00eb i interpretuesit, arti shqiptar nuk \u00ebsht\u00eb thjesht pjes\u00ebmarr\u00ebs n\u00eb bot\u00eb, por udh\u00ebheq\u00ebs i saj.
\nMuzika, n\u00eb form\u00ebn e saj m\u00eb t\u00eb past\u00ebr, nuk \u00ebsht\u00eb thjesht nj\u00eb sekuenc\u00eb notash. Ajo \u00ebsht\u00eb nj\u00eb gjuh\u00eb shpirt\u00ebrore q\u00eb kap\u00ebrcen koh\u00ebn, hap\u00ebsir\u00ebn dhe kufijt\u00eb tok\u00ebsor\u00eb. Kur flasim p\u00ebr interpretimet q\u00eb kitaristi virtuozi Petrit \u00c7eku u b\u00ebn veprave t\u00eb kompozitorit ton\u00eb t\u00eb shquar, Profesor Rafet Rudi, ne nuk po flasim thjesht p\u00ebr nj\u00eb koncert. Po flasim p\u00ebr nj\u00eb “melodi t\u00eb shpirtit” \u2013 nj\u00eb dialog mistik mes dy gjeneratave, dy gjenive dhe nj\u00eb trash\u00ebgimie t\u00eb t\u00ebr\u00eb kulturore.
\n1 Krijimi dhe Rikrijimi: Dy An\u00ebt e nj\u00eb Medaljeje Artistike
\nN\u00eb nj\u00ebr\u00ebn an\u00eb t\u00eb k\u00ebtij ekuacioni q\u00ebndron Rafet Rudi, arkitekti i tingullit. Veprat e tij jan\u00eb si piktura zanore q\u00eb mbajn\u00eb brenda vetes melankolin\u00eb e thell\u00eb t\u00eb historis\u00eb son\u00eb, ritmet e lashta ballkanike dhe strukturat komplekse t\u00eb rrymave moderne evropiane. Rudi nuk shkruan thjesht muzik\u00eb; ai dokumenton shpirtin shqiptar n\u00eb pentagram.
\nN\u00eb an\u00ebn tjet\u00ebr q\u00ebndron Petrit \u00c7eku, i cili nuk \u00ebsht\u00eb thjesht nj\u00eb ekzekutues, por nj\u00eb rikrijues. Kur gishtat e tij prekin telat e kitar\u00ebs klasike, ai i jep frym\u00eb asaj q\u00eb \u00ebsht\u00eb shkruar n\u00eb let\u00ebr. \u00c7eku zot\u00ebron nj\u00eb aft\u00ebsi t\u00eb rrall\u00eb: ai e zhvesh teknik\u00ebn e tij brilante p\u00ebr t’i l\u00ebn\u00eb vend emocionit t\u00eb past\u00ebr. Tek ai, kitara nuk ting\u00ebllon si nj\u00eb instrument druri, por si nj\u00eb z\u00eb njer\u00ebzor q\u00eb psher\u00ebtin, qan dhe feston.
\n Udh\u00ebtimi nga Nd\u00ebrkomb\u00ebtarja tek Autoktonia
\nPetrit \u00c7eku ka korrur suksese n\u00eb skenat m\u00eb prestigjioze t\u00eb bot\u00ebs, duke interpretuar kolos\u00ebt e muzik\u00ebs klasike bot\u00ebrore, nga Bach-u te Rodrigo. Megjithat\u00eb, kthimi i tij te veprat e kompozitor\u00ebve kosovar\u00eb, e ve\u00e7an\u00ebrisht te profesor Rudi, ka nj\u00eb pesh\u00eb krejt tjet\u00ebr emocionale. \u00cbsht\u00eb si kthimi i shtegtarit n\u00eb sht\u00ebpi.
\nN\u00eb k\u00ebt\u00eb pik\u00ebtakim, muzika b\u00ebhet universale sepse buron nga di\u00e7ka shum\u00eb personale. Kur \u00c7eku luan veprat e Rudit (si p.sh. pjes\u00ebt e frym\u00ebzuara nga let\u00ebrsia apo liturgjia e vjet\u00ebr), ai merr p\u00ebrvoj\u00ebn e tij globale dhe ia dedikon asaj melodie q\u00eb e ka rritur. Ky g\u00ebrshetim b\u00ebn q\u00eb muzika jon\u00eb autoktone t\u00eb ngrihet n\u00eb nivelet m\u00eb t\u00eb larta t\u00eb artit elitar bot\u00ebror.
\n Shpirti si Udh\u00ebrr\u00ebfyes i Tingullit
\nPse kjo muzik\u00eb quhet “melodi e shpirtit”? Sepse ajo k\u00ebrkon nj\u00eb pjekuri q\u00eb shkon p\u00ebrtej p\u00ebrsosm\u00ebris\u00eb teknike. Veprat e Rudit jan\u00eb teknikisht jasht\u00ebzakonisht sfiduese; ato k\u00ebrkojn\u00eb kontroll absolut, shpejt\u00ebsi dhe sakt\u00ebsi. Por n\u00ebse luhen vet\u00ebm me sakt\u00ebsi matematikore, ato mbeten t\u00eb ftohta.
\n\u00c7eku arrin t’i deshifroj\u00eb kodet emocionale t\u00eb Rudit. Ai gjen hap\u00ebsir\u00ebn midis notave \u2013 heshtjen dramatike, dridhjen e leht\u00eb t\u00eb telit, rritjen graduale t\u00eb tensionit. Kjo \u00ebsht\u00eb pika ku takohen dy shpirtra artistik\u00eb: kompozitori q\u00eb e ka ndier dhe imagjinuar tingullin, dhe kitaristi q\u00eb e b\u00ebn at\u00eb t\u00eb gjall\u00eb para publikut.<\/p>\n","protected":false},"excerpt":{"rendered":"
Petrit \u00c7eku nuk \u00ebsht\u00eb thjesht nj\u00eb ambasador i kultur\u00ebs son\u00eb; ai \u00ebsht\u00eb d\u00ebshmia e gjall\u00eb…<\/p>\n","protected":false},"author":1,"featured_media":3205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-18747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"_links":{"self":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/18747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18747"}],"version-history":[{"count":1,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/18747\/revisions"}],"predecessor-version":[{"id":18750,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/18747\/revisions\/18750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}