Kaq shume flitet per fjalen idiot , mendova per ndonje metafore qe do te thote pertej gjithckaje , dicka qe perfaqson spiritualen. Metafora qe perdoret per te zbutur egon e njeriut . Me dolen Nejvi dhe Violina.Violinasi ky medium hyjnor i jetes dhe aluzion me i fuqishem i brishtesise se shpirtit
\nKrahasimi i violines me Nejvin persian. , eshte i vetmi instrument qe kerkon nga njeriun qe heq dore nga gjithcka materiale.
\nVajtimi i violin\u00ebs shihet si nj\u00eb aluzion p\u00ebr melankolin\u00eb e artistit dhe emocionet q\u00eb nuk thuhen dot me fjal\u00eb. N\u00ebse nejvi qan p\u00ebr bot\u00ebn tjet\u00ebr, violina shpesh qan p\u00ebr dhimbjet e k\u00ebsaj bote
\nSipas poetit mistik Rumit, nejvi vajton sepse \u00ebsht\u00eb shk\u00ebputur nga “kallamishtja” e tij origjinale. Ai simbolizon shpirtin njer\u00ebzor q\u00eb d\u00ebshiron t\u00eb bashkohet me Burimin Divin.
\nNejvi duhet t\u00eb jet\u00eb t\u00ebr\u00ebsisht i zbraz\u00ebt q\u00eb t\u00eb prodhoj\u00eb tingull. Ky \u00ebsht\u00eb nj\u00eb aluzion p\u00ebr “anulimin e egos” (Fana). N\u00ebse kallami ka mbetje brenda, ai mbetet memec. Ai p\u00ebrfaq\u00ebson njeriun q\u00eb heq dor\u00eb nga gjith\u00e7ka materiale p\u00ebr t’u b\u00ebr\u00eb kanal i z\u00ebrit t\u00eb Zotit.
\nP\u00ebrkundrazi Violina, , \u00ebsht\u00eb nj\u00eb instrument i nd\u00ebrtuar dhe i mbushur. Ajo ka kutin\u00eb e rezonanc\u00ebs, shpirtin (anim\u00ebn) dhe kordat. Ajo aludon p\u00ebr pasurin\u00eb e p\u00ebrvoj\u00ebs njer\u00ebzore\u2014dhimbjen, kujtimet dhe emocionet q\u00eb grumbullohen brenda nesh dhe “shnd\u00ebrrohen” n\u00eb muzik\u00eb p\u00ebrmes f\u00ebrkimit.
\nNejvi aludon p\u00ebr “Muzik\u00ebn e Sferave”. Tingulli i tij \u00ebsht\u00eb i fryr\u00eb, ajror, sikur vjen nga nj\u00eb dimension tjet\u00ebr. Ai nuk “ndotet” nga prekja e dor\u00ebs, por varet vet\u00ebm nga fryma.
\nViolina prodhon tinguj p\u00ebrmes kontaktit fizik (harku mbi kord\u00eb). Kjo e b\u00ebn at\u00eb aluzionin suprem p\u00ebr dashurin\u00eb njer\u00ebzore, erotizmin dhe pasionin tok\u00ebsor. N\u00eb let\u00ebrsi, violina \u00ebsht\u00eb shpesh “ajo q\u00eb dridhet”, duke reflektuar dridhjet e mishit dhe t\u00eb nervave.
\nNejvi \u00ebsht\u00eb i brisht\u00eb, nj\u00eb bim\u00eb q\u00eb mund t\u00eb thhet ose thyhet leht\u00eb, duke treguar p\u00ebrkohshm\u00ebrin\u00eb e jet\u00ebs.
\nViolina \u00ebsht\u00eb nj\u00eb triumf i mjesht\u00ebris\u00eb. Ajo tregon se si njeriu mund ta “zbus\u00eb” natyr\u00ebn (drurin) dhe ta kthej\u00eb at\u00eb n\u00eb nj\u00eb objekt q\u00eb jeton me shekuj. K\u00ebtu aludohet p\u00ebr pavdekshm\u00ebrin\u00eb e artit p\u00ebrball\u00eb vdekshm\u00ebris\u00eb s\u00eb frym\u00ebs (nejvit).
\nTe nejvi, poeti thot\u00eb: “Nuk \u00ebsht\u00eb fyelli q\u00eb k\u00ebndon, por zjarri i dashuris\u00eb q\u00eb kalon p\u00ebrmes tij.”
\nTe violina, poeti aludon se: “Nuk \u00ebsht\u00eb instrumenti, por mjeshtri q\u00eb nxjerr shpirtin prej tij.” Violina lart\u00ebson individin (gjeniun), nd\u00ebrsa nejvi lart\u00ebson dor\u00ebzimin (mistikun).<\/p>\n
Filozof\u00ebt e lasht\u00eb dhe shkrimtar\u00ebt mistik\u00eb e shihnin violin\u00ebn si nj\u00eb mjet q\u00eb kap frekuencat e universit. Aluzioni k\u00ebtu \u00ebsht\u00eb se trupi i violin\u00ebs \u00ebsht\u00eb bota, nd\u00ebrsa kordat jan\u00eb ligjet e natyr\u00ebs. T\u00eb luash n\u00eb violin\u00eb do t\u00eb thot\u00eb t\u00eb jesh n\u00eb harmoni me universin.
\nHistorikisht, prodhuesit e hersh\u00ebm t\u00eb violinave, si Stradivariusi, k\u00ebrkonin q\u00eb instrumenti t\u00eb imitonte z\u00ebrin e njeriut (sopranon ose tenorin). Kjo e b\u00ebn violin\u00ebn nj\u00eb aluzion p\u00ebr aft\u00ebsin\u00eb ton\u00eb p\u00ebr t\u00eb komunikuar dhimbjen ose g\u00ebzimin kur fjal\u00ebt d\u00ebshtojn\u00eb.
\nShkrimtar\u00ebt e p\u00ebrdorin shpesh violin\u00ebn si nj\u00eb aluzion p\u00ebr dikotomis\u00eb midis disiplin\u00ebs (teknik\u00ebs) dhe pasionit (ndjenj\u00ebs). Ajo p\u00ebrfaq\u00ebson nj\u00eb mendje q\u00eb k\u00ebrkon rregull n\u00eb kaos, ashtu si violinisti duhet t\u00eb gjej\u00eb harmonin\u00eb nga kordat e tensionuara
\nN\u00eb let\u00ebrsi dhe art, violina shpesh p\u00ebrdoret si nj\u00eb aluzion i thell\u00eb q\u00eb tejkalon thjesht muzik\u00ebn, duke u b\u00ebr\u00eb nj\u00eb mjet p\u00ebr t\u00eb shprehur gjendje shpirt\u00ebrore komplekse dhe histori njer\u00ebzore.
\nViolina mish\u00ebron bukurin\u00eb dhe kompleksitetin e jet\u00ebs, duke qen\u00eb nj\u00eb medium p\u00ebr t\u00eb kanalizuar hyjnoren p\u00ebrmes tingujve. Nj\u00eb metafor\u00eb moderne p\u00ebr t’u ankuar ose p\u00ebr t\u00eb shprehur pak\u00ebnaq\u00ebsi p\u00ebr probleme t\u00eb vogla, shpesh duke treguar ironi ndaj vetes.
\nForma e violin\u00ebs shpesh krahasohet me siluet\u00ebn e trupit t\u00eb njeriut (belin, qaf\u00ebn). N\u00eb art, kjo p\u00ebrdoret p\u00ebr t\u00eb treguar se muzika dhe njeriu jan\u00eb nj\u00eb trup i vet\u00ebm; ashtu si trupi ndjen dhimbje, edhe violina “r\u00ebnkon” kur preket.
\n Gjithash p\u00ebrdoret edhe p\u00ebr t\u00eb p\u00ebrshkruar mendimet q\u00eb “flasin” si nj\u00eb melodi delikate dhe e ngroht\u00eb.
\nViolina, e njohur si “mbret\u00ebresha e instrumenteve t\u00eb harkut”, sh\u00ebrben shpesh si nj\u00eb metafor\u00eb e fuqishme n\u00eb let\u00ebrsi, art dhe muzik\u00eb. Ajo simbolizon ndjenjat m\u00eb t\u00eb thella njer\u00ebzore, bukurin\u00eb e shpirtit dhe brisht\u00ebsin\u00eb e emocioneve
\nViolina shpesh shihet si zgjatim i shpirtit t\u00eb muzikantit. Ajo p\u00ebrfaq\u00ebson z\u00ebrin e brendsh\u00ebm, melankolin\u00eb dhe g\u00ebzimin q\u00eb nuk mund t\u00eb shprehen me fjal\u00eb
\nN\u00eb kuptimin teknik, “anima” \u00ebsht\u00eb nj\u00eb shuf\u00ebr e vog\u00ebl druri brenda violin\u00ebs q\u00eb transmeton vibrimet. Kjo \u00ebsht\u00eb nj\u00eb metafor\u00eb e v\u00ebrtet\u00eb: si\u00e7 ka nevoj\u00eb njeriu p\u00ebr shpirt, ashtu edhe violina ka nevoj\u00eb p\u00ebr k\u00ebt\u00eb pjes\u00eb p\u00ebr t\u00eb prodhuar tinguj.
\n N\u00eb let\u00ebrsi, violina simbolizon lidhjen mes kujtimeve, dhimbjes dhe shpres\u00ebs.
\nViolina \u00ebsht\u00eb e nd\u00ebrtuar nga druri i holl\u00eb dhe fijet delikate, por mund t\u00eb mbush\u00eb nj\u00eb sall\u00eb gjigante me tinguj. Kjo sh\u00ebrben si metafor\u00eb p\u00ebr forc\u00ebn q\u00eb buron nga ndjeshm\u00ebria\u2014nganj\u00ebher\u00eb gj\u00ebrat m\u00eb t\u00eb brishta jan\u00eb ato q\u00eb kan\u00eb ndikimin m\u00eb t\u00eb madh.
\nKordat e violin\u00ebs duhet t\u00eb jen\u00eb n\u00ebn tension p\u00ebr t\u00eb nxjerr\u00eb tingull. Kjo p\u00ebrdoret si metafor\u00eb p\u00ebr sfidat e jet\u00ebs: pa pak tension ose presion, njeriu nuk mund t\u00eb krijoj\u00eb asgj\u00eb t\u00eb bukur apo t\u00eb rritet emocionalisht.
\nN\u00eb shum\u00eb p\u00ebrshkrime poetike, druri i violin\u00ebs shihet si nj\u00eb krijes\u00eb e gjall\u00eb ku muzika rrjedh si gjak n\u00ebp\u00ebr vena, duke e b\u00ebr\u00eb instrumentin t\u00eb pavdeksh\u00ebm edhe kur violinisti nuk \u00ebsht\u00eb m\u00eb.
\nFigura e Paganinit (shpesh i quajtur “Violinisti i Djallit”) ka krijuar nj\u00eb aluzion t\u00eb q\u00ebndruesh\u00ebm letrar ku virtuoziteti i violin\u00ebs lidhet me gjenialitetin e rreziksh\u00ebm ose sakrific\u00ebn e shpirtit p\u00ebr artin.
\n Filozofi David Hume p\u00ebrdori metafor\u00ebn e kordave t\u00eb violin\u00ebs p\u00ebr t\u00eb shpjeguar simpatin\u00eb njer\u00ebzore: kur nj\u00eb kord\u00eb dridhet, ajo tjetra rezonon n\u00eb t\u00eb nj\u00ebjtin ton, ashtu si njer\u00ebzit bashk\u00ebndjejn\u00eb me emocionet e tjetrit.
\n N\u00eb let\u00ebrsin\u00eb e Iluminizmit dhe Romantizmit, trupi i violin\u00ebs shpesh \u00ebsht\u00eb p\u00ebrdorur si aluzion p\u00ebr form\u00ebn fem\u00ebrore dhe ndjeshm\u00ebrin\u00eb, duke e par\u00eb instrumentin si nj\u00eb qenie q\u00eb “flet” vet\u00ebm kur preket me mjesht\u00ebri dhe dashuri.
\nAluzioni i violin\u00ebs lidhet shpesh me “t\u00eb qar\u00ebt pa z\u00eb”. N\u00eb poezi, kur thuhet “violon\u00e7eli i vjesht\u00ebs” (si te Paul Verlaine) ose tingulli i violin\u00ebs, aludohet p\u00ebr nj\u00eb gjendje shpirt\u00ebrore ku trishtimi kthehet n\u00eb bukuri. \u00cbsht\u00eb aluzion p\u00ebr aft\u00ebsin\u00eb njer\u00ebzore p\u00ebr ta kthyer vuajtjen n\u00eb estetik\u00eb.
\nEkziston nj\u00eb aluzion i fuqish\u00ebm letrar mbi origjin\u00ebn e drurit (shpesh bredh ose rrap). Violina \u00ebsht\u00eb nj\u00eb pem\u00eb q\u00eb k\u00ebndon pasi ka vdekur. Ky \u00ebsht\u00eb aluzioni suprem p\u00ebr artin: di\u00e7ka q\u00eb merr jet\u00eb t\u00eb dyt\u00eb dhe b\u00ebhet e pavdekshme vet\u00ebm pasi kalon procesin e “vdekjes” (prerjes dhe gdhendjes).
\nN\u00eb let\u00ebrsin\u00eb e burgut (ve\u00e7an\u00ebrisht n\u00eb Shqip\u00ebri, si te Visar Zhiti), violina e imagjinuar ose e vizatuar n\u00eb mur aludon p\u00ebr lirin\u00eb e brendshme. Edhe kur njeriu \u00ebsht\u00eb i izoluar, muzika e brendshme (violina shpirt\u00ebrore) mbetet e paprekshme nga prangat.
\nKrahasimi mes violin\u00ebs dhe nejvit persian (fyellit prej kallemi) \u00ebsht\u00eb nj\u00eb nga ballafaqimet m\u00eb interesante n\u00eb simbolik\u00ebn muzikore dhe letrare, pasi t\u00eb dy instrumentet konsiderohen si “z\u00ebrat” m\u00eb t\u00eb af\u00ebrt me shpirtin njer\u00ebzor, por p\u00ebrfaq\u00ebsojn\u00eb rrug\u00ebtime t\u00eb ndryshme mistike.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kaq shume flitet per fjalen idiot , mendova per ndonje metafore qe do te thote…<\/p>\n","protected":false},"author":1,"featured_media":3205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-6679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"_links":{"self":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6679"}],"version-history":[{"count":1,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6679\/revisions"}],"predecessor-version":[{"id":6682,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6679\/revisions\/6682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}