“Nj\u00eb bi\u00e7iklet\u00eb p\u00ebr mendjen
\nMetaforat me emocionojne me forte me thoj nje mikesha ime ndaj dhe lexoj letersi sepse eshte e mbushur me figurra qe me mbajne ,me mberthejne qe nje liber ta lexoj nga fillimi ne fund me nje fryme. Metafora \u00ebsht\u00eb nj\u00eb figur\u00eb stilistike e gjuh\u00ebs ku nj\u00eb fjal\u00eb ose shprehje p\u00ebrdoret me kuptim t\u00eb figursh\u00ebm, duke u bazuar n\u00eb nj\u00eb krahasim t\u00eb n\u00ebnkuptuar sipas ngjashm\u00ebris\u00eb. N\u00eb thelb, ajo “bart” kuptimin e nj\u00eb sendi ose dukurie te nj\u00eb tjet\u00ebr, pa p\u00ebrdorur lidh\u00ebza krahasuese si “si” apo “porsi. Ndihmon n\u00eb shprehjen e ideve komplekse p\u00ebrmes simboleve t\u00eb thjeshta dhe krijon lidhje m\u00eb t\u00eb forta emocionale.
\nMetafora konsiderohet si “mbret\u00ebresha” e figurave stilistike sepse dep\u00ebrton thell\u00eb n\u00eb m\u00ebnyr\u00ebn se si ne mendojm\u00eb dhe konceptojm\u00eb bot\u00ebn. P\u00ebrve\u00e7 p\u00ebrdorimit n\u00eb let\u00ebrsi, ajo \u00ebsht\u00eb nj\u00eb mjet i fuqish\u00ebm q\u00eb e p\u00ebrdorim \u00e7do dit\u00eb p\u00ebr t\u00eb thjeshtuar idet\u00eb abstrakte p\u00ebrmes imazheve konkrete
\nSipas Aristotelit Metafora (metafora) konsiston n\u00eb dh\u00ebnien (epifora) e nj\u00eb sendi nj\u00eb em\u00ebr (onomatos), q\u00eb i p\u00ebrket di\u00e7kaje tjet\u00ebr (allotriou), kalimi \u00ebsht\u00eb ose nga gjinia n\u00eb specie (apo tou genous epi n\u00eb eidos), ose nga specia n\u00eb gjini (apo tou eidous epi n\u00eb genos), ose nga speciet n\u00eb specie (apo tou eidous epi n\u00eb eidos), ose n\u00eb baz\u00eb t\u00eb analogjis\u00eb (\u00ea kata n\u00eb analogon).\u201d (Poetics 1457b6\u20139).
\nFjala metafor\u00eb vjen nga greqishtja (metapherein), q\u00eb do t\u00eb thot\u00eb “t\u00eb bart\u00ebsh”. N\u00eb nj\u00eb metafor\u00eb ndodhin tre procese:
\nDi\u00e7ka konkrete q\u00eb e njohim mir\u00eb (p.sh. Zjarri).
\n Ideja abstrakte q\u00eb duam t\u00eb shpjegojm\u00eb (p.sh. Dashuria).
\n Cil\u00ebsit\u00eb e zjarrit (nxeht\u00ebsia, djegia, drita, rreziku) i mvishen dashuris\u00eb. K\u00ebshtu lind metafora: “Dashuria \u00ebsht\u00eb zjarr” ose “Ai digjet nga dashuria”.
\nMolla e krimbur ndoshta eshte nje nga metaforat me te famshme
\nInteresant \u00ebsht\u00eb fakti se, n\u00eb mjediset popullore, thuhet shpesh: “Molla q\u00eb ka krimbin \u00ebsht\u00eb m\u00eb e mira”. Kjo sepse krimbi zgjedh mollen m\u00eb t\u00eb \u00ebmb\u00ebl dhe pa helme (pesticide).
\n Kjo sugjeron se e keqja ose tundimi shpesh sulmon ato q\u00eb jan\u00eb m\u00eb me vler\u00eb, m\u00eb t\u00eb pastra ose m\u00eb t\u00eb suksesshme. Nj\u00eb njeri me vlera t\u00eb larta mund t\u00eb ket\u00eb nj\u00eb “krimb” (nj\u00eb ves) pik\u00ebrisht sepse \u00ebsht\u00eb “i \u00ebmb\u00ebl” dhe t\u00ebrheq\u00ebs p\u00ebr vesin.
\nNdryshe nga sa mendojm\u00eb, krimbi i moll\u00ebs shpesh nuk hyn nga jasht\u00eb kur molla \u00ebsht\u00eb rritur, por lind nga nj\u00eb vez\u00eb e Si metafor\u00eb: Kjo p\u00ebrfaq\u00ebson ato probleme q\u00eb ne i lindim vet\u00eb n\u00eb shpirtin ton\u00eb. Nuk jan\u00eb faktor\u00eb t\u00eb jasht\u00ebm q\u00eb na shkat\u00ebrrojn\u00eb, por mendimet, egoizmi apo m\u00ebkati q\u00eb rritet brenda nesh q\u00eb n\u00eb zanafill\u00eb.
\n Simbolika n\u00eb Let\u00ebrsi dhe Filozofi
\nN\u00eb let\u00ebrsi, molla \u00ebsht\u00eb simbol i njohjes dhe tundimit (nga Adami dhe Eva). Krimbi brenda saj shton nj\u00eb shtres\u00eb tjet\u00ebr: Filozof\u00eb si Spinoza kan\u00eb p\u00ebrdorur metafor\u00ebn e krimbit p\u00ebr t\u00eb shpjeguar se si nj\u00eb qenie mund t\u00eb jet\u00eb pjes\u00eb e nj\u00eb sistemi m\u00eb t\u00eb madh (si gjaku ose universi) pa e kuptuar ligj\u00ebsin\u00eb e tij.
\nEdmond Tupja e lidh k\u00ebt\u00eb metafor\u00eb me korrupsionin: nj\u00eb shoq\u00ebri q\u00eb duket e rregullt, por ku “krimbi” i ryshfetit po e kalb b\u00ebrtham\u00ebn
\n“Molla e kuqe e ka krimbin brenda” \u2013 Nj\u00eb paralajm\u00ebrim p\u00ebr t\u00eb mos u g\u00ebnjyer nga estetika ose premtimet e m\u00ebdha.
\n” \u2013 Ndonj\u00ebher\u00eb “perfeksioni” i jasht\u00ebm \u00ebsht\u00eb aq artificial sa as jeta (qoft\u00eb edhe ajo parazitare) nuk mund t\u00eb mbijetoj\u00eb n\u00eb t\u00eb.
\nMetafora tjera te rendesishme
\nE gjith\u00eb bota \u00ebsht\u00eb nj\u00eb sken\u00eb.”
\n(All the world’s a stage)
\nNga drama “Si t’ju p\u00eblqej\u00eb”. Kjo metafor\u00eb e trajton jet\u00ebn si nj\u00eb shfaqje teatri, ku njer\u00ebzit jan\u00eb thjesht aktor\u00eb q\u00eb hyjn\u00eb e dalin (lindin dhe vdesin), duke luajtur role t\u00eb ndryshme gjat\u00eb jet\u00ebs.
\n“Shpella e Platonit”
\nPlatoni e krahason njer\u00ebzimin me t\u00eb burgosurit n\u00eb nj\u00eb shpell\u00eb q\u00eb shohin vet\u00ebm hijet n\u00eb mur. Kjo \u00ebsht\u00eb nj\u00eb metafor\u00eb p\u00ebr dijen: hijet jan\u00eb realiteti i rrem\u00eb, nd\u00ebrsa drita jasht\u00eb shpell\u00ebs \u00ebsht\u00eb e v\u00ebrteta absolute.
\nMetafora m\u00eb e famshme n\u00eb let\u00ebrsin\u00eb shqipe (Naim Frash\u00ebri)
\n“Ti (Shqip\u00ebri) m\u00eb jep nder, m\u00eb jep emrin shqiptar.”
\nN\u00eb poezin\u00eb “O malet e Shqip\u00ebris\u00eb”, Naimi e kthen atdheun n\u00eb nj\u00eb qenie hyjnore, nj\u00eb “n\u00ebn\u00eb” q\u00eb i jep drit\u00eb dhe jet\u00eb shpirtit t\u00eb tij. Gjithashtu, te “Fjal\u00ebt e qiririt”, Qiriri \u00ebsht\u00eb metafora m\u00eb e fuqishme p\u00ebr poetin dhe m\u00ebsuesin: ai digjet (sakrifikohet) q\u00eb t’u jap\u00eb drit\u00eb (dije) t\u00eb tjer\u00ebve.
\nMetafora m\u00eb e famshme moderne (Steve Jobs\/Teknologjia)
\n“Nj\u00eb bi\u00e7iklet\u00eb p\u00ebr mendjen.”
\nK\u00ebshtu e quajti Steve Jobs kompjuterin. Ai p\u00ebrdori metafor\u00ebn e bi\u00e7iklet\u00ebs (q\u00eb e b\u00ebn njeriun t\u00eb l\u00ebviz\u00eb m\u00eb shpejt se \u00e7do kafsh\u00eb me m\u00eb pak energji) p\u00ebr t\u00eb shpjeguar se si teknologjia rrit efikasitetin e intelektit njer\u00ebzor.
\nMetafora m\u00eb e famshme e jet\u00ebs s\u00eb p\u00ebrditshme
\n“Koha \u00ebsht\u00eb para.”
\nKjo metafor\u00eb konceptuale e Benjamin Franklin e trajton koh\u00ebn si nj\u00eb mall t\u00eb \u00e7muar q\u00eb mund t\u00eb “shpenzohet”, “lihet m\u00ebnjan\u00eb” ose “humbet”, duke ndikuar rr\u00ebnj\u00ebsisht n\u00eb kultur\u00ebn e pun\u00ebs n\u00eb bot\u00ebn moderne.
\n“Mendja \u00ebsht\u00eb kompjuter”: Kjo \u00ebsht\u00eb metafora dominuese e koh\u00ebs son\u00eb. Ne themi “po e procesoj informacionin”, “m\u00eb \u00ebsht\u00eb bllokuar truri”, ose “duhet t\u00eb rifreskoj memorien”. Ne kemi filluar ta shohim veten si makineri p\u00ebr shkak t\u00eb k\u00ebsaj metafore.
\n“Dashuria \u00ebsht\u00eb luft\u00eb”: Shprehje si “ai e pushtoi zemr\u00ebn e saj”, “ai u dor\u00ebzua para saj”, ose “n\u00eb dashuri dhe luft\u00eb lejohet gjith\u00e7ka”. Kjo metafor\u00eb na b\u00ebn ta shohim lidhjen si nj\u00eb betej\u00eb fituesish dhe humb\u00ebsish.
\nMetafora si mjet i “Fuqis\u00eb” (N\u00eb Politik\u00eb dhe Ekonomi)
\nN\u00ebse d\u00ebshiron t\u00eb ndryshosh mendimin e dikujt, ndrysho metafor\u00ebn q\u00eb p\u00ebrdor:
\n: Politikan\u00ebt shpesh thon\u00eb “duhet t\u00eb shtr\u00ebngojm\u00eb rripin” (sikur shteti t\u00eb ishte nj\u00eb familje q\u00eb po kursen). Kjo e b\u00ebn ekonomin\u00eb komplekse t\u00eb duket e thjesht\u00eb dhe e kuptueshme.
\n“: Kur media p\u00ebrdor fjal\u00ebn “val\u00eb emigrant\u00ebsh”, ajo po p\u00ebrdor nj\u00eb metafor\u00eb natyrore. Uji nuk ka vullnet, ai thjesht p\u00ebrmbyt. Kjo krijohet p\u00ebr t\u00eb ngjallur frik\u00eb, duke i trajtuar njer\u00ebzit si nj\u00eb forc\u00eb shkat\u00ebrruese t\u00eb natyr\u00ebs.
\nMetafora m\u00eb e r\u00ebnd\u00ebsishme e jet\u00ebs t\u00ebnde
\n\u00c7do njeri ka nj\u00eb metafor\u00eb t\u00eb brendshme p\u00ebr jet\u00ebn:
\nP\u00ebr disa, “Jeta \u00ebsht\u00eb gar\u00eb” (duhet t\u00eb dal\u00ebsh i pari).
\nP\u00ebr disa, “Jeta \u00ebsht\u00eb dhurat\u00eb” (duhet ta shijosh).
\nP\u00ebr disa, “Jeta \u00ebsht\u00eb udh\u00ebtim” (r\u00ebnd\u00ebsi ka rruga, jo destinacioni).<\/p>\n","protected":false},"excerpt":{"rendered":"
“Nj\u00eb bi\u00e7iklet\u00eb p\u00ebr mendjen Metaforat me emocionojne me forte me thoj nje mikesha ime ndaj…<\/p>\n","protected":false},"author":1,"featured_media":3205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-6800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-op-ed"],"_links":{"self":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6800"}],"version-history":[{"count":1,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6800\/revisions"}],"predecessor-version":[{"id":6803,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/posts\/6800\/revisions\/6803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faktiditor.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}